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ursula d | music clips



→ Oct 2014 "Women of today are still being called upon to stretch across the gap of male ignorance and to educate men as to our existence and our needs. This is an old and primary tool of all oppressors to keep the oppressed occupied with the master’s concerns. Now we hear that it is the task of women of color to educate white women — in the face of tremendous resistance — as to our existence, our differences, our relative roles in our joint survival. This is a diversion of energies and a tragic repetition of racist patriarchal thought." — Audre Lorde, The Master’s Tools Will Never Dismantle the Master’s House (via vanihila)

(via 11213372)

→ Oct 2014

Pipilotti Rist Ever is Over All
Video Installation

→ Oct 2014 "Every truth affirms itself in the destruction of nonsense. Every truth is thus essentially destruction. Everything that simply conserves is simply false. The field of Marxist knowledge is always a field of ruins." —

Badiou, ‘Théorie de la contradiction’ 
(via aidsnegligee)

This must be scrawled across that farcical cretinism otherwise known as the Soon to Be Picturesque Ruins of Contemporary Academia.

(via bustakay)

(via bustakay)

→ Oct 2014 boystown:

 Linder Sterling, Untitled, 1976

boystown:

 Linder Sterling, Untitled, 1976

(via noceans)

→ Oct 2014

sheereleganceinitssimplicity:

Everyone knows about the fathers of science fiction, but what about the mothers?

→ Oct 2014

Ain't Nobody by Rufus & Chaka Khan
→ Oct 2014

Foreseen future= (nothing more than) a student soon to be ejected from Warren Bebbington’s human-sized t-shirt gun. 
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→ Oct 2014 "Art no longer cares to serve the state and religion, it no longer wishes to illustrate the history of manners, it wants to have nothing further to do with the object, as such, and believes that it can exist, in and for itself, without “things” (that is, the “time tested well spring of life”)." — Kazimir Malevich, Suprematism (1927)
→ Oct 2014 bildwerk:

Sarah Lucas
Spinster 2000 Mattress, hanger, fried eggs, herring, wine 190 x 100 cm

bildwerk:

Sarah Lucas

Spinster 2000
Mattress, hanger, fried eggs, herring, wine
190 x 100 cm

→ Oct 2014 cyberdawg:

DAMN

cyberdawg:

DAMN

(Source: workers-against-work, via verysorefoot)

→ Oct 2014 "I love you! Oh, say it with paving stones!" — Ubiquitous graffiti slogan in the streets of paris, city of amants and militants, may-june ‘68 (via jenrlstryke)
→ Oct 2014 "The theme of the emancipation of humanity has lost none of its power. Of course the word ‘communism’ which was for a long time the name of that power, has been cheapened and prostituted. But if we allow it to disappear, we surrender to the supporters of order, to the febrile actors in this disaster movie. We are going to resuscitate the old name in all its new clarity. Which was also its old virtue, as it was when Marx said of communism that it ‘involves the most radical rupture with traditional associations’ and will give rise to ‘an association, in which the free development of each is the free development of all.’" — Alain Badiou, The Communist Hypothesis. (via bustakay)

(via dead-letter-words)

→ Oct 2014 design-is-fine:

Sonia Delaunay (1885-1979), Untitled, 1960 

design-is-fine:

Sonia Delaunay (1885-1979), Untitled, 1960 

(Source: artfact.com, via sadsmother)

→ Oct 2014 bildwerk:

SARAH LUCAS
Sex Baby, 2000 Dye destruction print. 91.5 x 61 cm (36 x 24 in).

bildwerk:

SARAH LUCAS

Sex Baby, 2000
Dye destruction print.
91.5 x 61 cm (36 x 24 in).

→ Oct 2014 contemporaryobsessions:

Sarah Lucas /Franz West. Untitled. 2012. Sadie Coles gallery

contemporaryobsessions:

Sarah Lucas /Franz West. Untitled. 2012. Sadie Coles gallery